Reading my first draft

Since starting this blog, I’ve been unsure of the direction, but as I have decided to attempt to write, and have ready to submit, by the end of the year, I’m going to blog each step of my new-found process, under the Novel in a Year category tag. If you read this post first, it’ll all make more sense! I hope you’ll find it interesting and/or helpful 🙂


And now, for today’s update:

As planned, I read my draft with the eyes of a beta-reader. When I beta for someone, I use the Comments on Word, and I hope I make helpful comments as well as highlight the really good stuff. I know I let a little sarcasm slip in too. I pretended I was reading someone else’s work, and acted accordingly.

Editing pages

It took me six days to complete the read-through, and then act on the easily sorted issues. A lot of my comments simply said delete or unnecessary, which is pretty self-explanatory. Some of them were paragraphs that I could slot into the work at the appropriate point, and some will be longer and harder to solve. There’s a timeline problem relatively early on, a rather large omission of someone’s reaction to a particular event and a whole lot of underwriting practically all the way through.

To be honest, the underwriting is a lifelong problem, so that wasn’t a shock!

Here are a few of the comments I’ve made:

Remember how hard this was to get the right reveal here? Well, it hasn’t worked. Try again

This all needs to be re-written… you know that glazed over look you get when you read something hideously boring… yeah, that

So they’re not going to talk about last night? Jo tried to murder a painting, and he’s okay with that?

Really? We’re smiling at hats, are we? Why not at the coffee, or that mop in the corner?

My next task is to print out the manuscript and mark up where the deeper changes need to be made, where a couple of chapters need to be moved, and to write new sections so that the other changes make sense. I can’t wait to get my fountain pen out and jot notes all over the pages!

Once again, I’ll be using the NaNoWriMo site and giving myself four weeks to complete this part. I might even work out all the stages for the rest of the year, so I’m not doing quite so much guessing about the deadlines I should be imposing.

How nice are you to yourself when you read your own work?

How long does it take you to write a book?

How many drafts do you take? (My personal best is somewhere in the 20s!)

Draft finished, feeling accomplished

At the beginning of the year, I decided I was going to write a novel much quicker than I’d ever written one before – in a year. Completed, beta-read, edited and ready to submit.

My WIPs tend to take several years, malingering through many rewrites without much of a plan, and at the beginning of the year, I decided – finally – that this was stupid.

And, coincidentally, at the same time these decisions were occurring, the NaNoWriMo web site announced that people could create their own goals whenever they wanted. So I set up a goal – to write 40,000 words in 90 days.

Today, I finished – 8 days (and 3,600 words) short of the deadline, but the draft is complete, and I am very happy with it, as it stands!

NaNo page

As you can see, after a good start, I had a bit of a… ahem, break. A couple of short stories took priority, and there were probably a few days of Olympic-style procrastination and hot chocolate drinking with friends. However I think I rallied quite well.

There’s something satisfying in recording my words in this way. I usually use a spreadsheet, but that doesn’t include an end date, it just lets me write and write and write… In fact, it was precisely that deadline which forced me back to the WIP on day 57.

My next step is to do something else I’ve never done before – I’m going to read my draft the way I beta-read other people’s – complete with sarky asides and random comments.

Of course, I’ll be setting a goal for that too – 132 pages, 5 pages an hour (because I’ve never made an hourly goal before, so I’m not sure how long it will take) – 26 hours should do it.

Have you seen this feature on the NaNo site? Would you consider using it?

How do you keep yourself accountable?


To all A-Zers! If you’re in the middle of the challenge, thanks for visiting – I know you’ve got many other places to be. I’ll be reading your posts with interest, but I probably won’t comment very much, because I know how overwhelming this time of the year can be. I thought long and hard about joining in again this year, but my WIP challenge is more compelling. Have fun!

 

 

 

Reasons Why I Should Have Planned

I’m not a planner. I feel stifled if I have plot to fulfill, instead I usually start with a title and the very last line. I sit with my pen poised and let the words flow. I go back and add chapters where needed, go forward to write a killer line, backwards to add a bit of foreshadowing. And the whole thing comes together. It’s a long process. Where other authors can have a book written within a year, mine take a little longer. In some cases they taksimson-petrol-110900e… ahem, years and years.

My current novel is supposed to be a mashup of a character/plot that’s been on the back-burner since the early 2000s, and the story I wrote for last year’s NaNoWriMo, with some other stuff that I’ve started and abandoned within a couple of weeks.

Except, I have a main character that is both named and nameless, in past and present tense, first and third person. She lives in London, a nameless city, on the coast. She’s always an artist and has just won an art award, or won it years ago. Her current exhibition is both on display and cancelled. She has a lodger but is lodging, and a sister who is in varying degrees of existence.

I’m staring at these pages, completely overwhelmed – in some cases, reading the same scene written in different ways, with different outcomes. I have two folders that have an abundance of Post-It notes to remind me where I think that scene might fit, or not fit, or needs to fit.

And I don’t know what do to… Apart from go back to basics and write a plan. Or give up altogether and bake a cake.

Tips, advice and hugs all appreciated right now 🙂

Where Words Fail, Music Speaks – Cover Reveal

Yes, I know, I’m late to this particular party – a cover reveal for an anthology I’m going to be included in! I had Tuesday’s post for Theresa Milstein scheduled weeks in advance, the only post currently scheduled for the rest of the year! It’s a bit like that story/urban myth/utter truth that the first two cars in Ohio managed to crash into each other.

However, there might be people who haven’t seen the cover yet, so without further ado here’s the cover for the Where Words Fail, Music Speaks Anthology, which is scheduled for release April 21, 2017.

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Where Words Fail, Music Speaks is a collection of short stories and poetry by writers from all walks of life.

Each story is based on the titles of 90s Britpop songs, including Come Back To What You Know, Bittersweet Symphony, Animal Nitrate, Disco 2000, and more.

Our list of authors is: Kyra Lennon, Clare Dugmore, Annalisa Crawford, Wesley Copeland, Robb Turburville, D H Sidebottom, Audrina Lane, M.B. Feeney, Karen Frances, S.J Warner, Scout Dawson, Kimberly Morgan, Maddie Wade, Rebeccalou Heronpontin, Andrea Coventry

All proceeds from the sales of this anthology will go to Clusterbusters.

Add to your Goodreads to-be-read list: https://www.goodreads.com/book/show/34409894-where-words-fail-music-speaks

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Introducing Theresa Milstein

I’ve known Theresa for ages now – although I can’t remember how or when we met. That’s usually how writers appear in my life, surreptitiously, hanging around my blog or Facebook when I’m lost in a series of scenes and popping up with useful advice. I’m delighted to have her on my blog to help celebrate the launch of her new book, Time & Circumstance, which I reviewed on Goodreads recently. Take it away, Theresa…

 

When Vine Leaves Literary Journal began to give a platform for the vignette, the first question I asked was, “What’s a vignette?” At that point, I’d written a few manuscripts and short stories for children and teens, and I’d taken several poetry workshops. My heart was in the novel. I’d only started submitting short stories because I’d heard it was a good way to gain writing experience and it gave me a few publishing credits. The poetry workshops became a creative outlet, but I hadn’t taken it seriously.

Vine Leaves rejected my first submission, which was all telling and not at all a vignette. I read their first issue. There, I truly got the idea that a vignette is a moment in time captured. Vine Leaves accepted my second, a prose piece. The third time I submitted a poem, and it was accepted.

I became a regular vignette writer. I’d write because something impacted me, and the only way to come to terms with it was to say something about it in a small space. I’ve found that vignettes fill the void when I’m letting a full-length manuscript sit. There was one blog I turned to regularly for inspiration. It no longer posts, and I miss it. I’ve learned that I’m a competitive person: give me a picture prompt and a phrase of some sort, and I’m typing away. Several years later, I’d accumulated enough vignettes to make a collection.

I’ve been asked what determines if a piece of writing becomes poetry or prose. Often the first line directs me. If it’s lyrical, and I sense a rhythm in the next line, it becomes a poem. I wind up with many more poems than prose. But if the subject needs more freedom than the space a poem will take, prose works better for me. I know there are people who write poetry with long lines or that go on for many pages. I recently went to a poetry reading, and the woman recited her poem for about fifteen minutes. That’s not my style.

When editing my vignette collection with Vine Leaves Press, I appreciated the editor’s perspective. Several of my poems became prose poems, which is a poem that appears as prose. So, sometimes what works best for my writing is a compromise between the two forms!

 

photoTheresa Milstein writes middle grade and YA, but poetry is her secret passion. Her vignette collection, TIME & CIRCUMSTANCE, will be published by Vine Leaves Press in March 21, 2017. She lives near Boston Massachusetts with her husband, two children, a dog-like cat, and a cat-like dog. For her day job, she works as a special education teacher in a public school, which gives her ample opportunity to observe teens and tweens in their natural habitat.

 

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TIME & CIRCUMSTANCE is available for preorder.

$3.99 AUD (eBook)
Kindle AUS
Kindle US
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iBooks | Kobo | Nook

$12.99 AUD (paperback)
Amazon US
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Book Depository
Chapters Indigo

 

Leave a comment, and you’re eligible to win a prize during my blog tour!

 1 $25 Amazon gift card

1 signed paperback copy

1 ebook

 

Answer the question:

“If you could relive any moment in time, what would it be?”

 

Extra entries if you share on Facebook or Twitter and link it to me.

@TheresaMilstein on Twitter.

@Theresa Milstein on Facebook

#ReliveMoment or #TimeandCircumstance

 

Winners will be announced on April 5, 2017

 

 

 

Where Words Fail, Music Speaks

clusterbusters-facebook-header

Two lovely author friends – Kyra Lennon and Clare Dugmore – are editing an anthology, Where Words Fail, Music Speaks, in aid of research into cluster headaches, a debilitating condition suffered by more people than you’d think. Kyra knows at least a couple of people who suffer which inspired her to create the anthology.

And one my of stories is going to be included!

The cover reveal is scheduled for 14 March, and we would be so grateful if you are able to share it on your blog/website. The sign up form is right here!

Thank you!

 

 

My tips for submitting

My last post, My rules for writing, was quite popular, so I got cocky and started thinking maybe I could actually help writers.

Here are a few tips about how to submit your work, because this seems to cause either rejection-quote-2-picture-quote-1agony or resentment, as your darlings are repeatedly rejected. These tips will work just as well for online and print journals, small press publishers and agents.

(Note: some of these tips might sound harsh, but they come with love as – as I shared in the last post – many, many, many years of experience)

  1. Just as with editing, you need to distance yourself from your manuscript when you’re submitting, because your first-choice agent/journal is not obliged to accept your work. You have become a salesperson, they are your customer. If they don’t want it, you can’t force them, and it isn’t personal. How many times have you said ‘no thank you’ to a cold-caller offering double glazing? When you submit, you are the cold-caller.
  2. Follow the individual guidelines of each market – word counts, ms layout, and extra requirements might all be mentioned specifically.
  3. Be professional. Check the name of the editor/agent, and begin your email ‘Dear…’ or if that feels too fusty, perhaps Good Morning… or Good Afternoon. Never Hi, or Hey or skip that part altogether. Your first approach should be formal; once you have a relationship (or even a second/third email) you can relax a little.
  4. End your email similarly with Regards, Kind Regards or Faithfully/Sincerely if you wish. Bonus points to anyone knows the correct context to use Faithfully and Sincerely!
  5. First names are fine, I think, these days. But Mr/Mrs/Miss are traditional and formal. And using first names avoids the need to know whether your female recipient is married or not!
  6. I like to have a list of markets for the same book/story, so that if I get a rejection I can send it out again straight away.
  7. If the reply is a rejection, do not enter into correspondence with the editor. I know most people wouldn’t do this, but there have been instances, and those instances somehow find their way into the public domain for everyone to see. Worst case scenario, you may find yourself blacklisted by all editors or agents if your conduct is very poor.
  8. Try not to weep and wail and throw away every scrap of writing that you’ve ever done. This is one person’s view of that one story on that one day you sent it. If it had reached them the day before or the day afterwards – or if their dog hadn’t died, or their car hadn’t broken down – the outcome may have been different.
  9. Although, some chocolate/wine/coffee is allowed.
  10. Don’t give up. It might be tempting to self-publish at the first sign of rejection, but before you do, ask yourself if that’s what you really want. If it is, awesome, go for it. If you have a yearning to follow in the footsteps of J.K. Rowling, keeping trying. After all, J.K did!

Can you add any other tips that have worked for you?